Top 31 Kangho Lee Cello The 13 Top Answers

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Virtual Masterclass Series: Lee Kang Ho (Cello) (15 Mar 2021) | YST Conservatory
Virtual Masterclass Series: Lee Kang Ho (Cello) (15 Mar 2021) | YST Conservatory


Prof. Kangho Lee – [email protected] Online Academy

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Prof. Kangho Lee - Classic@Home Online Academy
Prof. Kangho Lee – [email protected] Online Academy

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Top 16 Kangho Lee Cello Best 119 Answer

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[email protected] Online Academy

Renowned Cellist Kangho Lee Performs at Jorgensen

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Top 16 Kangho Lee Cello Best 119 Answer
Top 16 Kangho Lee Cello Best 119 Answer

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Cello master class by Kangho Lee | Liszt Ferenc Academy of Music

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Cello master class by Kangho Lee | Liszt Ferenc Academy of Music
Cello master class by Kangho Lee | Liszt Ferenc Academy of Music

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Renowned Cellist Kangho Lee Performs at Jorgensen – UConn Today

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Renowned Cellist Kangho Lee Performs at Jorgensen - UConn Today
Renowned Cellist Kangho Lee Performs at Jorgensen – UConn Today

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Renowned Cellist Kangho Lee Performs at Jorgensen – UConn Today

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Renowned Cellist Kangho Lee Performs at Jorgensen - UConn Today
Renowned Cellist Kangho Lee Performs at Jorgensen – UConn Today

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Queen Elisabeth Competition

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Queen Elisabeth Competition

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Kangho Lee cello master class | What’s on | Liszt Ferenc Zeneművészeti Egyetem

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‎Lee Kang Ho on Apple Music

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[email protected] Online Academy

“The mesmerizing performance not only showed Lee’s technical perfection but also his musical elegance and lyrical depth.” The Korea Herald, Korea.

Kangho Lee has been a sought-after soloist and chamber musician since his orchestral debut with the Seoul Philharmonic at the age of twelve. His performances with the Korean Broadcast System (KBS) Symphony, the Korean Symphony Orchestra, the Suwon Philharmonic Orchestra, and recitals in the Kumho Recital Hall were lauded with critical acclaim and broadcast nationally on KBS radio. He was a featured soloist for the 2001 New Year’s Eve Gala Concert with the Seoul Philharmonic Orchestra and continues to perform with all of the major symphony orchestras in Korea on a regular basis.

Upon invitation by the Ministry of Foreign Affairs of the Republic of Korea, Lee performed recitals in Paris, Lyon, Milan, Rome and for the United Nations in Geneva. Lee’s other international engagements include performances Moscow and St. Petersburg as a guest of the Moscow Conservatory, concerts with the Sofia National Academy Orchestra and the Halle Philharmonic, and recitals in New York, Los Angeles, Pittsburgh, St. Louis, and Boston. An active chamber musician, Lee has collaborated with the Pacifica String Quartet, the Orion String Quartet and members of Tashi, the Cleveland, Vermeer and Tokyo string quartets. Lee is a member of the Tonus Piano Trio and Antonin Ensemble.

Lee was a jury member of the Isang Yun International Cello Competition, the Penderecki International Cello Competition, the Popper International Cello Competition and numerous major competitions in Korea. Currently, Lee is Professor of Cello at the Korea National University of the Arts and regularly gives master classes at the Kirishima International Music Festival in Japan, the Cantus Academy and the Vivace Music Festival in Korea.

Lee’s artistry and career as a performer, pedagogue, and administrator have generated much attention. He has appeared on major television networks in Korea, the United States and South Africa. His interviews have been featured in magazines and journals such as Vogue–Korea, Asiana Airline’s in-flight magazine and Strad–Korea.

Lee received his Bachelor of Arts degree in Economics from Swarthmore College, Master of Music degree from the Yale School of Music, and Doctor of Musical Arts degree from New England Conservatory.

Top 16 Kangho Lee Cello Best 119 Answer

Virtual Masterclass Series: Lee Kang Ho (Cello) (15 Mar 2021) | YST Conservatory

Virtual Masterclass Series: Lee Kang Ho (Cello) (15 Mar 2021) | YST Conservatory

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Lee received his Bachelor of Arts degree in Economics from Swarthmore College, Master of Music degree from the Yale School of Music, and Doctor of Musical Arts degree from New England Conservatory.

Lee’s artistry and career as a performer, pedagogue, and administrator have generated much attention. He has appeared on major television networks in Korea, the United States and South Africa. His interviews have been featured in magazines and journals such as Vogue–Korea, Asiana Airline’s in-flight magazine and Strad–Korea.

Lee was a jury member of the Isang Yun International Cello Competition, the Penderecki International Cello Competition, the Popper International Cello Competition and numerous major competitions in Korea. Currently, Lee is Professor of Cello at the Korea National University of the Arts and regularly gives master classes at the Kirishima International Music Festival in Japan, the Cantus Academy and the Vivace Music Festival in Korea.

Upon invitation by the Ministry of Foreign Affairs of the Republic of Korea, Lee performed recitals in Paris, Lyon, Milan, Rome and for the United Nations in Geneva. Lee’s other international engagements include performances Moscow and St. Petersburg as a guest of the Moscow Conservatory, concerts with the Sofia National Academy Orchestra and the Halle Philharmonic, and recitals in New York, Los Angeles, Pittsburgh, St. Louis, and Boston. An active chamber musician, Lee has collaborated with the Pacifica String Quartet, the Orion String Quartet and members of Tashi, the Cleveland, Vermeer and Tokyo string quartets. Lee is a member of the Tonus Piano Trio and Antonin Ensemble.

Kangho Lee has been a sought-after soloist and chamber musician since his orchestral debut with the Seoul Philharmonic at the age of twelve. His performances with the Korean Broadcast System (KBS) Symphony, the Korean Symphony Orchestra, the Suwon Philharmonic Orchestra, and recitals in the Kumho Recital Hall were lauded with critical acclaim and broadcast nationally on KBS radio. He was a featured soloist for the 2001 New Year’s Eve Gala Concert with the Seoul Philharmonic Orchestra and continues to perform with all of the major symphony orchestras in Korea on a regular basis.

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When Kangho Lee was growing up in Seoul, South Korea, his family moved into a high-rise apartment building. His mother heard someone in another apartment practicing the cello. She knocked on the door and asked who was giving lessons for the instrument.

“That’s how it all started,” recalls Lee, associate professor of music and coordinator of applied music in the School of Fine Arts, who performed a program of cello and piano music with pianist Minyoung Lee, an adjunct professor of music at UConn, on Dec. 1 at the Jorgensen Center for the Performing Arts.

With his older sisters playing piano and violin, Lee often performed with his sisters and, as the winner of a Young Artists Competition, he made his orchestral debut with the Seoul Philharmonic at the age of 12. The following year he was invited by Heiichiro Ohyama, who was the Principal Violist of the LA Philharmonic, to come to the United States and he subsequently received his high school education in California.

Even as a high school student, Lee was very active as a performer. He worked under such renowned musicians as Andre Previn and Sir Simon Rattle, and gave solo and chamber music recitals in Los Angeles, Seoul, Boston and San Jose. As the assistant conductor of the Colburn School Orchestra, Lee gave concerts in Los Angeles and San Diego as well as in London and other cities in England. However, because his parents did not think music would provide a career for him, Lee went on to study economics at Swarthmore College, even as he continued to perform and pursue music studies during summer breaks as an artist-in-residence or as a student at music festivals in the United States and Canada.

After completing his degree in economics, Lee decided it was time to see if he could become a full-time musician. He was accepted to the master’s program at the Yale School of Music.

“My thought was to try and pursue music before I got any older because, unlike other studies, you have a time limit,” Lee says. “Your body doesn’t have much time to acquire the technical skills. I tell my students they should try to master the instrument by their mid-twenties. Those were my happiest days, because I was pursuing music full-time for the first time.”

Lee, who earned his doctorate in musical arts from the New England Conservatory, went on to perform with leading orchestras such as the Korean Broadcast System Symphony, the Euro-Asia Symphony, the Sofia National Academy Orchestra, and the Halle Philharmonic. He has performed as a soloist in Paris, Milan, and Rome, and was invited by the Moscow Conservatory to perform in Moscow and St. Petersburg.

In 2009 alone, Lee gave recitals in St. Louis, Boston, Knoxville, Newark and Seoul, and his performance of the Dvorak Cello Concerto with the Korean Symphony was televised nationally in Korea. As a chamber musician, Lee has collaborated with the principal players of the Philadelphia Orchestra, St. Louis Symphony and Seoul Philharmonic as well as faculty members of the Curtis Institute, Yale, Juilliard, and MIT. As a guest artist, he gave master classes at Boston University, the University of Tennessee and the University of Ulsan in Korea.

“I really do enjoy the liberal arts and the academic side of life and music as well,” Lee says. “My area of specialty is applied music performance. But what I’m proud of at UConn is that we not only provide a great education in the applied area but we have really first rate musicologists and theorists working together.”

Lee says he tries to use his liberal arts background as a teacher of music. He notes that one of his favorite “scholar-politicians” is Robert Reich, the former U.S Labor Secretary under President Clinton, who argues in his book The Work of Nations that the nation needs “people who can identify problems, solve problems, and facilitate these things.”

“Although the setting is different, my job as a teacher is to teach my students how to identify both music and physical-technical problems and approach them analytically so they are able to become lifelong learners – to continue to grow after they are done with their formal education,” Lee says.

He says one of the most enjoyable parts of his teaching in the School of Fine Arts is working with the Jorgensen Outreach for Youth program (JOY!), which invites low-income children and young adults to arts events in order to provide the opportunity to enrich, educate, and enhance their lives.

“I think that’s one of the great things about this University,” he says. “It presents the very top of the profession, but also is very conscious about reaching out to kids who may not have had a chance to experience anything like this. I am happy that we are able to work together with the community and have this cooperative outreach program.”

In his pedagogy class, Lee’s students get hands-on experience teaching and working with students in the JOY! program. “I think it’s something we ought to continue to do and promote,” he says.

Samples of Lee’s work from his CD Cinema Cello can be heard here:

Schubert: Serenade

Bach: Air (from Suite #3 for orchestra)

Elgar: Salut D’Amour

Cello master class by Kangho Lee

Dates and Venues:

7 November 2019 (Thursday), 14.00–18.00, Main building Auditorium

8 November 2019 (Friday), 10.00–18.00, Main building Auditorium

9 November 2019 (Saturday), 10.00–14.00, Main building Room XVII

APPLICATION AND PARTICIPATION:

Active participants:

Only cellist students from the Liszt Academy may apply by completing the online application form below.

Application deadline: 30 October 2019

The final list of active participants are selected by the Cello Sub-Department.

The university doesn’t provide piano accompaniment. Please write in the ‘Piano’ cell the name of your piano accompanist. If you will play solo piece, you don’t need to fill it.

Passive participants:

The master class is free of charge and open to all interested as the rooms’ capacity allows. No preliminary application is necessary.

Certificates of attendance are not issued.

Kangho Lee is one of Korea’s most popular cellist and chamber musician. After his studies on the Yale University he gained his doctoral degree from the New England Conservatory. His performances with the greatest ensembles of South Korea are highly acclaimed by both enthusiasts and experts all around the world, from Paris and Rome through the greatest concert halls of Russia all the way to the United States. Currently he is vice dean and professor of the Cello School of Music at the Korea National University of Arts and is a jury member for numerous international competitions.

Schedule of the master class:

7 November

14.00-15.00: Barnabás Tóth

J. S. Bach: Cello Suite No. 3 in C major, BWV 1009

15.00-16.00: Nella Balog

Valentini: Cello Sonata – 2nd movement

Popper: Etude No. 10

16.00-17.00: Bence Bánkövi

Thomas Burich: Some like to show it off

Piatti: Caprice No. 9

17.00-18.00: Balázs Tiborcz

Piatti: Caprice No. 9

J. S. Bach: Cello Suite No. 2 in D minor, BWV 1008

8 November

10.00-11.00: Andrea Ibero

Lalo: Cello Concerto in D minor – 1st movement

11.00-12.00: Hagiwara Riku

Popper: Russian Fantasie

Popper: Dance of Elves, Op. 39

12.00-13.00: Cseperke Donáczi

Lalo: Cello Concerto in D minor – 1st movement

13.00-14.00: Shimizu Yosuke

Prokofiev: Sinfonia Concertante, Op. 125 – 2nd movement

INTERMISSION

15.00-16.00: Hagiwara Riku

Cassado: Cello Suite – 3rd movement

Popper: Etude No. 12

16.00-17.00: Fanni Pelle

Crumb: Sonata for Solo Cello – 2nd movement

Haydn: Cello Concerto No. 2 in D major, Hob. VIIb:2 – 1st movement

17.00-18.00: Flóra Csőke

Schumann: Adagio and Allegro, Op. 70

9 November

10.00-11.00: Kinga Gál

Schumann: Cello Concerto in A minor, Op. 129 – 1st movement

11.00-12.00: Mizuno Yuya

Haydn: Cello Concerto No. 1 in C major, Hob. VIIb:1 – 1st movement

12.00-13.00: Balázs Dolfin

Shostakovich: Cello Concerto No. 1 in E-flat major, Op. 107 – 1st and 2nd movement

13.00-14.00: Emma Petruska

Haydn: Cello Concerto No. 2 in D major, Hob. VIIb:2 – 1st movement

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