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Emily Robb @ Green House, Cleveland 6/15/22

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How To Moonwalk | Emily Robb

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Summary of article content: Articles about How To Moonwalk | Emily Robb How To Moonwalk by Emily Robb, released 03 December 2021 1. Oom 2. Live at Friendship Speedwell 3. I Really Wanna Know how to Moonwalk 4. …
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How To Moonwalk by Emily Robb, released 03 December 2021

1. Oom
2. Live at Friendship Speedwell
3. I Really Wanna Know how to Moonwalk
4. Where is the Foot of the Bed
5. Arrow
6. (Here Come the) Arrows of Fortune
7. News From a Fog
8. Saucer
9. Deeper Than Dust
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Summary of article content: Articles about Emily Robb (@ahumancertainly) • Instagram photos and videos 1548 Followers, 850 Following, 222 Posts – See Instagram photos and veos from Emily Robb (@ahumancertainly) …
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Emily Robb (@ahumancertainly) • Instagram photos and videos

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Summary of article content: Articles about Emily Robb — How to Moonwalk (Petty Bunco) – dusted Her music is heavy and undifferentiated, much like the earliest Purling Hiss albums, a firehose of pure sensation. Listen long enough, though, … …
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Emily Robb — How to Moonwalk (Petty Bunco) - dusted — Emily Robb — How to Moonwalk (Petty Bunco) – dusted

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Summary of article content: Articles about Lantern interview with Emily Robb and Zachary Devereux Fairbrother – It’s Psychedelic Baby Magazine Independent music magazine, covering alternative, underground, non-commercial and non-mainstream artists in variety of shapes and genres. …
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Lantern interview with Emily Robb and Zachary Devereux Fairbrother

Vinyl of the Day

How To Moonwalk

its limitations. No vocals, no artifice, barely even a drum. It’s a totally fried, mutant offering that’ll entice the twisted seekers– a sustained, distilled meditation on the unabashed revved up freedom of rock. Naturally, the folks here at Petty Bunco couldn’t be prouder to have our humble trademark of quality on it.

Recorded summer 2020 at Emily’s Suddenly Studio in Philadelphia with help from Bill Nace.

Includes unlimited streaming of How To Moonwalk via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Back in stock!!!How To Moonwalk is the brash n’ bold new one from Philadelphia-by-way-of-Maine-&-Montreal’s Emily Robb. With a formidable CV in the underground and sub-underground, Emily sits as the top contender for the east coast’s most modestly masterful electric guitar abuser and this is the record to prove it. Though she served as top talent in efforts by Astute Palate, Storks, Louie Louie, & Lantern, How To Moonwalk marks Emily’s long-overdue, mucho-anticipated debut unencumbered release. And the album is, as they say, a motherfucker. Splattered across its eight or so tracks, How To Moonwalk shows a loyal respect to the rock n’ roll form while refusing to be held back by a single one of

Emily Robb — How to Moonwalk (Petty Bunco)

Emily Robb — How to Moonwalk (Petty Bunco)

How To Moonwalk by Emily Robb

Emily Robb opens her first-ever solo album with an undulating blast of fuzz, a seesawing riff that lasts only about a minute, but obliterates concisely, without embellishment, a pure show of force. The guitarist, whom you might have caught on last year’s excellent David Nance-led Astute Palate record, explores fractured blistered guitar tone for most of this album, sculpting mammoth sonic sculptures from the vibrating conjunction of ax and amp.

Robb is not that concerned with melody or rhythm. Her music is heavy and undifferentiated, much like the earliest Purling Hiss albums, a firehose of pure sensation. Listen long enough, though, to cuts like “Live at Speedwell,” and subtle shadings begin to emerge, a wailing treble solo arcing out over the dissonance, a shift in the color and depth of feedback underneath. Loud as it is, there is something almost meditative about the track, like a Rothko painting, pure red until it begins to dissolve and change under sustained observation.

Bill Nace produced and recorded How To Moonwalk, capturing the visceral live energies of Robb’s performance. She is especially unhinged on the title track, “I Really Wanna Learn How to Moonwalk,” which grounds her buzzing histrionics with the simplest, most primitive kick drum rhythm. It’s effect is to transform pure roar into something like a blues vamp, intermittently incinerated by freeform guitar-play. Later, there’s a startling pause between “Arrow” and “(Here Comes the) Arrows,” a blot of white space that sounds like a swimmer coming up, gulping for air, then diving straight back into the depths.

The album turns slightly more lyrical, if that’s the right word, in its second half, with the gorgeous, floating auras of “News from a Fog” and the pensive rumbling of “Saucer,” but returns to gasoline-accelerated flammability in the closer “Deeper Than Dust.” This is fierce, undiluted guitar power from a Philadelphia comer. Don’t miss it.

Jennifer Kelly

Lantern interview with Emily Robb and Zachary Devereux Fairbrother

Lantern interview with Emily Robb and Zachary Devereux Fairbrother

I could spend a ton

of time trying to explain the intricacies of Lantern’s sound or listing their

impressive collection of releases from the past few years. Instead I will simply say that this is some

good old fashioned psychedelic rock’n’roll.

Distorted and fuzzy, loud and aggressive but still relying on the merits

of hooks and actual songwriting rather than a wall of deafening noise or the

like, Lantern are burning the candle bright and loud at both ends to bring you

a relentless onslaught of mind bendingly amazing, and often, equally limited

releases. While keeping up with Lantern

might be a full time job, figuring out where they come from, where they’ve

been, what they’ve been up to, and even what they’ve put out proves to be

another matter altogether. Don’t worry

though fearless readers, your prayers have been answered! Founding Lantern members Emily Robb and

Zachary Devereux Fairbroter took plenty of time to shine light on the band’s

early beginnings, evolution and their prolific collection of distorted and

limited releases in another marathon interview with yours truly! Integrating the best parts of 60’s garage

rock, punk, noise and psychedelic music, Lantern have created a wholly unique

and intriguing sound all their own, recently refined and seemingly perfected

for the band’s Rock’n’Roll Rorschach album.

So kick back, relax, listen to some music and enjoy the fuzzy inferno

that is Lantern!

What’s the band’s

current lineup? Is this your original

lineup or have there been some changes over time?

Emily: We have

Christian Simmons on drums, Zach and I switch around between the guitar, bass,

and vocals and sometimes David Fishkin joins us on baritone and tenor sax. We used to play with a different drummer,

Sophie White. That’s been pretty much

the only lineup change. Sometimes our

friend Chris Wilson fills in for a local show in Philly when Christian can’t

make it down for the gig; he lives in Montreal.

Are any of you in

any other bands? Have you released any

music with anyone else? If so can you

tell us about it?

Zach: Lantern is the

only project I really have on the go right now.

I used to have a band called Omon Ra with my friend Dan Miller. He went on to form Omma Cobba and I formed

Omon Ra II which Emily eventually joined.

Recently, I played on the B-Side of Crosss’ recent record (Obsidian

Spectre). Occasionally I’ll play solo or

improvise with others doing noise/drone stuff.

Emily: I just started

playing in my friend’s new project called Myrrias. It’s totally different from anything I’ve

ever been involved with so it’s exciting to feel like I have no clue what I’m

doing, stretching myself into new territories.

I also used to be in Zach’s old band Omon Ra II. Our friend Chris D’eon (his solo project is

called D’eon) was in the band too…

He’s a real talent and sometimes he’d get on keys and just set off on a

hurricane of a groove.

Where are you

originally from?

Zach: I am from Nova

Scotia, Canada.

Emily: I was born on

Mount Desert Island in Maine where Acadia National Park is. It’s a beautiful place. You may have heard of Bar Harbor, the major

tourist attraction. That’s where I spent

my youth. Then I moved to rural

Connecticut when I was ten.

Was your home

musical growing up? Were your parents or

any of your relatives musicians or extremely interested/involved with music?

Zach: There wasn’t a

lot of music growing up in my house, though my parents were very open and

supportive of my musical interests. I

have a lot of visual artists in my family as well as some aunts, uncles and

cousins that play and love music.

Emily: I wouldn’t say

my immediate family was particularly musical, though I do have a couple of

musically inclined aunts, uncles, second cousins, grandmothers, great uncles,

etcetera. My dad knew how to play two

songs on the guitar. One of them was

“I’ve Just Seen A Face” by the Beatles and my sisters and I would ask him to

play it over and over and over. Also,

there was always music playing at my house.

Typical baby-boomer classics, like playing “Money” by Pink Floyd after

“Satisfaction” by the Stones, followed by “Fields of Gold” by Sting and then

“Chain of Fools” by Aretha and K.D. Lang in there somewhere. It helped me develop my tastes and weed out

all the songs I can’t stand.

What was your

first real exposure to music? When did

you decide that you wanted to start writing and making your own music?

Zach: My sister’s

ex-boyfriend used to play Hendrix and the Stones for me when I was six or

seven. I loved “Foxey Lady” and

“Satisfaction”. My mom bought me a

boombox equipped with a Queen tape when I was nine and I loved it. After that I started playing clarinet in my

school band, which I picked up quickly.

When I was fourteen I got a guitar because my friends all played. From the beginning I was improvising and

making weird noises like scraping the strings with pennies. I didn’t know chords at first but I figured

out ways to make sounds I liked.

Eventually my parents got me lessons and soon I formed a metal band and

the fantasy of becoming a rock star was born, ha-ha.

Emily: I was always

exposed to music and loved it. I didn’t

really think I could do it seriously until I realized that that’s all I really

wanted to do. First I started reading a

lot about music and taking various music history classes in school, then I

started working as a receptionist at a music school and snagging free guitar

and piano lessons when teachers had nothing better to do. All the while I was teaching myself everyone

else’s songs. Eventually I joined Zach’s

band and then we started Lantern together.

When and how did

you all meet?

Zach: Basically music

is how we all met. Emily and I met in a

modern music class at school and we both met Christian just from hanging around

the music scene in Montreal and Halifax.

What led you to

form Lantern?

Zach: It started as a

solo project of mine. I felt creatively

exhausted with Omon Ra II and wanted to try something new.

Emily: Zach started

writing for a new project one summer after we disbanded Omon Ra II. I was living apart from him for a month or

two and he would send me his demos. When

we moved to Philly that fall, Sophie joined us on drums and Lantern became a

real band.

What does the name

Lantern mean or refer to?

Zach: A Lantern is a

light in the dark.

Where’s the band

currently located?

Emily: Zach and I

live in Philadelphia. Christian is

always traveling… I supposed Montreal

and Quebec City are his home bases.

How would you

describe the local music scene there?

Zach: Lots of

different musical styles are appreciated here and the rock scene specifically

is thriving. There are some great labels

based in Philly too, including Siltbreeze, Richie Records, Paradise of

Bachelors, Badmaster, Evil Weevil, Folk Evaluation, and more. It feels like a renaissance.

Emily: I agree about

the Renaissance thing. When I first

moved back to Philly, after leaving for a year to go to Montreal, it was a

little frustrating because lots of the DIY spots were getting shut down. But now there are lots of new venues opening

and South and West Philly are keeping the house show scene alive. Also, it’s a very supportive community. You can go to a local show and see at least

half your friends there.

Are you very

involved in the local scene?

© Ryan Collerd

Emily: I would say

it’s almost impossible to not be a part of the scene. Though I like being home working, there are

good shows happening all the time. I’m

always running into people around town and I work at a local record

store/coffee shop where lots of my musician friends stop by. Additionally, we have lots of friends from out

of town that ask for help booking shows and we’re of course going to go to

their shows too.

© Ryan Collerd

Has it played a

large role in the history, sound or evolution of Lantern?

Emily: Yeah, I think

everything influences my music. That

question may be easier to answer in more detail when I have greater retrospect.

I hate to label

and classify music! How would you

describe your sound to our readers who haven’t heard you yet?

Zach: To keep things

simple, lately we just tell people that we are a Rock ‘N’ Roll band.

There are some

pretty obvious influences in your music but the more of it I listen to the more

hidden sounds and tricks I hear planted in the tunes. Can you tell us who some of your major

musical influences are? What about the

band as a whole rather than individually?

Emily: We don’t try

necessarily to have hidden tricks really, they just work themselves in their

naturally. The three of us like a lot

of the same music. Zach and I are always

playing music for each other when we find a new band we like or some

inspirational material. I like letting

Christian take control of the stereo when we’re on tour so I can hear some of

his latest interests. We all enjoy the

classics like the Stones, The Beach Boys, The Kinks, The Beatles, Zeppelin, The

Who, etcetera. We also love old soul and

pop like Motown, The Tammy’s, Spector, Ike and Tina, etcetera. Then there’s the weird psych rock, folk

tracks, and prog from the 60’s and 70’s like Yes, Syd Barrett, Serge

Gainsbourg, Nico, Tomorrow. Also, so

much Neil Young gets played in the car.

Let’s talk a

little bit about Lantern’s songwriting process.

Is there a lot of jamming and ideas bouncing around at practice that get

refined into a song after a lot of exploration and experimentation or does

someone approach the rest of the band with a riff or more finalized version of

a song to work out with the rest of you?

Emily: Usually either

Zach or I write a song on our own and bring it to the group. We really don’t get to jam much with

Christian because when we’re with him, we’re either recording or touring, come

to think of it, maybe that’s why we jammed a lot live during our last

tour. Sometimes Zach and I help each

other finish songs or one of us writes the lyrics and the other writes the

music. For the most part, though, we

prefer privacy while writing.

While I think all

musicians enjoy the end product holding the music in your hand knowing it’s

yours and you made it, recording can be nerve wracking to say the least. Do you all enjoy recording? How is it in the studio with you all?

Emily: I love

recording. I think it’s really fun and

sometimes what I hear in the playback is totally different from how I felt we

played during the recording. It just

goes to show that your conscience is always imposing itself. I also like recording because I like

arranging and we do a lot of arranging in the studio. For Rock ‘N’ Roll Rorschach in particular, it

was like the sessions were on speed! We

only had four days booked in the studio to get it done so we really didn’t have

much time to play around with things.

But there was something really cool about that too. We couldn’t lose focus and we were in the

zone the whole time.

Does Lantern do a

lot of preparatory work before entering the studio or do you play it more

organically off of the cuff?

Emily: It’s a mixture

of both. Sometimes I’m finishing lyrics

during the session, which I’m not proud of, but I think I work best under

pressure. “She’s A Rebel” and “The

Conjurer” were largely improvised on the spot.

We had the chords and the lyrics but not much more, so we just went ahead

did a few takes. I think we used the

second take of “She’s A Rebel” and the first take of “The Conjurer”; though I

could be wrong on those details.

What are your

memories of recording your 2010 cassette EP Deliver Me From Nowhere… ? When was that material recorded? Who recorded it? Where was it recorded? What kind of equipment was used?

Zach: It’s what would

become the first Lantern EP. I was

adventuring into new territories. I was

listening to a lot of weird blues at the time and I think that came out in my

music. Most tracks were recorded by

myself on a 4-track with a SM57 and whatever guitar I had lying around. There was one moment in the last song on the

tape which features a Beethoven quartet that I slowed down on tape. Emily joined me on a couple of tracks on bass

and drums, but for the most part it was a solo venture as Emily was living in

the states at the time and I was still in Montreal.

Who released

Deliver Me From Nowhere…? Was that

release limited?

Zach: Deliver Me From

Nowhere was released on Electric Voice Records.

I think it was a limited run of 100 tapes. Sadly, I sold my artist copy so if you see

one lying on the floor in some record store or thrift shop, please buy it and

give it to me.

You followed

Deliver Me From Nowhere… with 2011’s 2-track EP American Razorwire cassette

on Craft Singles. How did that release

come about? Was the recording of those

tracks much different than the session work for Deliver Me From Nowhere…?

Zach: Yes, those

tracks were recorded very differently than Deliver Me From Nowhere. They were recorded by my friend Andy March of

Crosss and our current drummer Christian.

Not to be confusing, Andy actually played drums on the two tracks. Also, Alex Zhang Hyungtai played bass. We did it in an afternoon, it was all very

improvised. For “Devils Rope Revisited”

I just told Andy and Alex to hold their breath and expel it while playing as

fast and as loud as possible. That led

into the song riff and I improvised the lyrics.

Everything was live off the floor.

Was American

Razorwire limited? Is that still in

print? What does American Razorwire

mean?

Zach: It was a

limited release of 100 on cassette.

American Razorwire was inspired by all the razorwire I saw when driving

around the states. It stood out to me

because there isn’t much razorwire in Canada.

Also, Emily told me about a barbed wire museum somewhere in Texas called

the Devil’s Rope Museum that she had recently visited.

From what I understand

2011’s Stranger I Come. Stranger I Leave was the first album to feature the

current full lineup of the band. How did

you approach songwriting for Stranger I Come compared to the earlier

recordings? Was it very different than

the early recordings or was writing with the band just kind of a natural

progression?

Emily: It was

definitely a natural progression. The

full band was together, this was when Sophie was in the band, and we recorded

it live in our studio. We used a 4-track

and maybe a couple of mics that we borrowed from our neighbor. Basically it was the template for the next

couple of releases we did.

Who released

Stranger I Come. Stranger I Leave? Was

that release limited? What does the

album title refer to?

Zach: Night People released

it. Again, it was limited to 100

copies. I was reading a biography on Lee

Scratch Perry and I misinterpreted a song title and liked the way it sounded in

my head, so I went with it for the EP title.

Lantern Summer EP

2011 supposed to be released as part of a split with The Ether on Electric

Voice, I know the material is available on your Bandcamp page but was that

material ever physically released?

Emily: It was

released physically as a cassette on Electric Voice Records as a split with our

friends The Ether. We also made a few

CD’s of our tracks to sell on tour; that’s what we called the Summer EP.

Can you tell us

about the recording of the material for that Lantern Summer EP 2011?

Emiliy: It was

basically the same process as Stranger I Come Stranger I Leave. But it was springtime so it wasn’t as

freezing cold in our studio. Maybe

that’s why it has a lighter vibe.

Later in 2011 you

released your first 7” single, I Don’t Know.

Can you tell us about the recording of that material? When was it recorded? Who recorded it? Where was it recorded? What kind of equipment was used?

Emily: We recorded

that in our studio ourselves in the spring of 2011. We really didn’t have any tools except a

couple of SM-57’s a Tascam 4-track cassette recorder and again, maybe a couple

of borrowed mics. Our studio was just a

big open room. We overdubbed the

vocals. Everything’s bleeding into

everything else and is totally blown out.

It was the sound of that era of Lantern.

I know that I Don’t Know single was limited, how many

pieces was it limited to and who put it out?

Emily: It was put out

on Mammoth Cave Records as a run of 300.

I think they still have some.

In 2012 you

followed up the I Don’t Know 7” with your first compilation, a collection of

unreleased music recorded between 2009 and 2011 entitled Burned Youth,

originally issued as a tour only cassette.

Do you have a lot of unreleased music in the proverbial “vaults” that

hasn’t seen the light of day yet? How

did you go about selecting the tracks for Burned Youth? Can you give us some background on where

those tracks came from and were recorded?

Zach: We have a few

things. We are working on finishing up

an EP that is largely made up of extra cuts from the Rock ‘N’ Roll Rorschach

sessions. Some of the tracks are from my

first band Omon Ra and were recorded in Nova Scotia. Some were recorded in Montreal and intended

for our band Omon Ra II and still others were recorded in the early years of

Lantern. It’s funny, we’ve never played

any of the Burned Youth material live, yet it’s our best-selling release. We’ve never desired to play those songs

because we feel like we’ve moved on.

Who released the

Burned Youth tape? I know it was a

limited release, how many cassettes were made?

Zach: Originally we

dubbed a few copies on tape to sell while on tour. Shawn of Night People Records heard the tape

and liked it so he released a run of 100 cassettes.

After taking a few

months off 2012 saw your “loose concept” EP, Dream Mine. Can you tell us a little bit about the “loose

concept” of Dream Mine?

Zach: I realized when

I began assembling the tracks for Dream Mine, that the collection of songs was

very dark. I had also recorded a theme

for an imaginary cyber-punk movie that, originally, wasn’t intended for the

EP. But as the EP materialized, I

thought the cyber-punk theme really suited it.

So I included the theme song and created the stark vibe of the EP around

it.

How was the

recording of that material handled? Was

it much different than your earlier cassette tape or single releases?

Zach: The cyber-punk

theme was composed on Ableton. It was

really just a musical doodle that I thought sounded cool. “Fool’s Gold” and “Devil’s Rope Revisited” are

both sound collages. I manipulated tape

recordings of Lantern jams, slowed them down, sped them up, reversed them,

etcetera. The remaining songs were

recorded raw as hell with a 4-track cassette machine.

Who released Dream

Mine? Was that release limited? Is it still in print?

Emily: Bathetic

Records released Dream Mine. Jon Hency

has since become a good friend of ours and his label is doing really well. The tapes sold out pretty quickly, I think he

did 100.

You released your

second 7” earlier this year with one of my absolutely favorite, and I think one

of the last real, independent labels out there, Goodbye Boozy. I’ve talked with him several times and not

only does he have impeccable taste in music but Gabriele seems like a super

cool guy. How did you get hooked up with

Goodbye Boozy? How was working with

Gabriele?

Emily: Working with

Gabrielle was great. He just e-mailed us

one day asking if we’d like for Goodbye Boozy to release a 7”. We were in the process of recording our

full-length and he said he liked the sound of those songs so we recorded a

couple more and sent them over. I’m not

sure how he heard of us, but I’m glad he did!

Was the material

for your Goodbye Boozy single, Mr. Mars b/w Rock ‘N’ Roll Music recorded in a

similar fashion to your previous releases or did you try anything different?

Zach: I think of

those songs as part of the Rock ‘N’ Roll Rorschach sessions. They were both recorded with Jeff Zeigler at

Uniform Recording and the B-Side was originally going to be on the LP. It featured a couple of different instruments

like sax and piano that we hadn’t used much in previous recordings. Also, this was when Emily started writing for

the band, so the songwriting was more of a collaborative effort.

After seven

cassette tape releases and two singles you released your debut album earlier

this year (2013), Rock ‘N’ Roll Rorschach.

Being your first album on vinyl, did you go about the recording or

writing of this album any differently?

When was it recorded? Where was

it recorded? Who recorded it? What kind of equipment was used?

Emily: It marked a

new direction for us. It was basically

our first time working in a studio with an engineer. Also, we had a new drummer coming onto the

project. Going into the sessions, we

knew we had limited time; four days, and Christian would only be with us for

three. Lantern usually works on the spot

and improvises a lot, but we felt that we needed to be prepared for the

sessions so we recorded demos beforehand; that was a first. As for the equipment, the bed tracks were

recorded to a 16-track tape machine. We

mostly used our Strat, though Jeff gave me a Kay and a Hagstrom hollowbody for

“She’s a Rebel” and “The Conjurer” respectively. We used a Vox AC30 and a Bassman for guitar

amps. I think we used an Ampeg B-15

(like Motown) for the bass amp all the way through.

Who released Rock

‘N’ Roll Rorschach? I know it’s limited,

how many copies are there?

Zach: Sophomore

Lounge released 500 copies in the USA.

Cardinal Fuzz is releasing it this week (October 14th) in the UK. They’re pressing 500 vinyl, some are gold,

and 200 CD’s which feature bonus tracks.

On your Bandcamp

page there’s a recording from Glasslands in 2011 with members of both Dirty

Beaches and Lantern playing together.

How did that collaboration come about?

It was originally released as a tour only cassette but has been long

since out of print. Are there any plans

for this material other than offering it digitally online?

Zach: We don’t have

plans to release it again. I’ve known

Alex since Omon Ra, we both put out records on the Montreal label Fixture. Alex has collaborated with many different

artists and we jumped at the opportunity when he asked us to work with

him. We joined him for one show at

Glasslands.

Emily: It was mostly

improvised. We got together the night

before and came up with some riffs and just went with the vibe when we were

onstage. Alex and Zach opened it with an

eight-minute long Maggot-Brain inspired jam and then Sophie and I joined in

with a really dancy, driving rhythm. The

rest is hard to remember. It’s safe to

say we were all pretty drunk.

Has Lantern released

any music that we haven’t talked about?

Emily: No. This has been very, thorough…

Are there any

plans for any other releases, maybe a single or some other morsel to follow-up

the album? What about re-releasing or

making any of the material from your numerous out of print cassette releases

available?

Zach: Yes! We are currently finishing up some recordings

to be released as an EP. The tracks are

largely made up of extras from the Rock ‘N’ Roll Rorschach sessions.

Where’s the best

place for US readers to pick up copies of your music?

from Sophomore Lounge or ask for it at your local record store. Digitally, you can order it from our website

( Zach: Order it onlinefrom Sophomore Lounge or ask for it at your local record store. Digitally, you can order it from our website www.lantern.bandcamp.com ) or from any major digital distributor.

With the recent

international postage rate increase what about international and overseas

readers?

Zach: Order it from

Cardinal Fuzz!

Where’s the best

place for our readers to keep up with the latest news like upcoming album

releases and shows at from Lantern?

our twitter page @lanternusa. We also

have a mailing list, if you want to be on it just email us at

[email protected] Zach: Our blog http://www.lntrn.tumblr.com , our Facebook page ( www.facebook.com/lanternusa ) orour twitter page @lanternusa. We alsohave a mailing list, if you want to be on it just email us at

What do you have

planned as far as touring goes for the rest of the year?

Emily: No plans yet,

just tentative ideas. We’ve toured a lot

in the last year and we want to take a little break from touring to focus on

writing for our next record.

You have played

with some awesome bands, who are some of your personal favorites that you’ve

had a chance to share a bill with?

Emily: We’ve played

with tons of awesome bands, it’s impossible to name them all. Going back to our first tour we played with

Night Beats in Seattle. That was really

fun. We also played with Cave on that

same tour. More recently we’ve played

with a strange and intense band called Guilt from Halifax and an awesomely

weird band called Rabbit Rabbit from Northampton. Thee Open Sex is another. Pissed Jeans was a highlight; we played their

record release show in Philly. We played

a Philly show with White Fence and Woods a while back while back as well. The list goes on.

Who are you on

tour with in your dreams?

Zach: Since we are

talking dreams, it would be awesome to have toured with the likes of say, The

Jimi Hendrix Experience, Sly And The Family Stone, Funkadelic, or Fela Kuti on

their heyday. It would be amazing to see

that sort of energy night after night.

Emily: Patti Smith.

Do you have any

funny or interesting stories from live shows or performances that you’d like to

share with our readers?

Zach: We really love

playing this small town in North Carolina called Boone. We’ve played there three times in the last

year at a burrito joint, turned rock venue at night. This real nice guy Devon Tuttle books a lot

of the shows down there. On this

particular night the PA was giving us a lot of trouble and all our gear was

going to shit. Fortunately, the sound

there sucks so it didn’t matter anyway.

The set disintegrated. We were no

longer strumming our guitars or playing a discernible rhythm. The set turned into a game of dodgeball but

instead of rubber balls it was beer cans.

At our first show in Boone there was a fight, someone puked on the floor

and somebody else rolled in it; never a dull time in that quaint mountain town.

With all of the

various mediums to release music available to musicians today I’m always

curious why artists choose the specific ones that they do. You have released several cassettes at this

point ha- ha, along with several slabs of vinyl. Why cassettes? They seem to be making a comeback these

days. Do you have a preferred medium

when releasing your music? What about

when you are purchasing music?

Emily: I always

choose vinyl first because you can hold it in your hands, look at the art and

read the liner notes. It’s more special

than a MP3 that gets lost on your computer.

I prefer releasing music on vinyl because it sounds so good. Tapes are just simple, they don’t sound that

good but they’re less annoying to handle than CD’s as they don’t get scratched.

Do you have a

music collection at all? If so can you

tell us about it?

Emily: Yes, we have a

modest vinyl collection and a few tapes and CD’s full of good stuff. Lots of rock ‘n’ roll in its various

incarnations. Plus we have lots of

current music that we get through trades or labels, etcetera. I’m excited to look back on our collection

when I’m older and rediscover all the bands of the twenty-teens that were on

the scene at the same time as Lantern.

I’m sure some will have faded into obscurity and hopefully some will

have “made it”, whatever that means.

I am a sucker for

a good record, or a single, or a tape, or a DVD. Hell if it’s got good music on it I probably

have a way to play it sitting somewhere in my living room! It’s kind of an obsession of mine. Having something to hold in your hands, liner

notes and artwork to look at, they all make for a more complete listening

experience; a glimpse inside the mind of the artists who released it, at least

for me. Do you have any such connection

with physical releases?

Zach: Yes. I love reading in depth liner notes

especially when they have detailed descriptions about who played on the tracks

and what was involved with making the record.

I believe that good records are a sum of their parts and almost all the

records I like have good artwork.

Like I said I love

my music collection. I have tapes, CDs,

7”s, 10”s and 12”s all around the house with some DVDs, VHS and yes some

laserdisc stuff that I’ve picked up over the years, but I can’t take them on

the go with me. Digital music has

revolutionized the music industry for better or worse and things are changing

constantly and quickly. As an artist in

the reign of the digital era how do you feel about digital music and

distribution?

Zach: I think digital

music is great. Artists have the

potential to reach the whole world as an audience. It’s also a very inexpensive way to

distribute music. Websites such as

Bandcamp allow artists to connect directly with their fans. And while we (Lantern) haven’t made a fortune

off of our website, it has allowed us to make a little extra cash.

Emily: I agree. And the music industry today certainly isn’t

what it used to be. There isn’t much

money backing smaller independent acts.

MP3’s make it possible for these artists to get their music out into the

world without it costing a fortune.

I try to keep up

with as much music as I can and there’s nowhere better to get good

recommendations on who you should be listening to than from artists that you

already like. I find that I share a lot

of tastes in common with people and they recommend me to some of the best and

different music that I listen to in fact.

So, who should I be listening to from your local scene or area that I

might not have heard of before?

Zach: Proexibitors

are really cool. They sound like a Joy

Division meets ESG kind of thing.

Emily: Amanda X and

Spacin’ are both awesome shows to see.

What about

nationally and internationally?

Emily: The Promised

Land Sound is a band from Nashville that just released a record on the Philly

label Paradise of Bachelors. I recently

listened to them for the first time and have really been loving their

music. Also I think Angel Olsen is an

amazing artist and I like Goat too!

Zach: The Hills from

Sweden are really cool, they just released a record on Cardinal Fuzz. And Offset Spectacles from China put out a

really great self-titled record, though I think the band may be retired. I really like Guilt and Ultrathin too,

they’re some friends of ours from Canada.

Thanks so much for

taking part in the interview I know it was extensive to say the least,

ha-ha! Is there anything that I missed

or that you’d just like to talk about?

Emily: Thanks to you

too! I think my brain is fried 😉

Zach: Ditto.

DISCOGRAPHY

(2010) Lantern –

Deliver Me From Nowhere… – EP – Cassette – Electric Voice

(2011) Lantern –

American Razor Wire – Cassette – Craft Singles

(2011) Lantern –

Stranger I Come. Stranger I Leave. – Cassette – Night-People

(2011) Lantern – I

Don’t Know – 7″ – Mammoth Cave Recording Company

(2011) Lantern –

Lantern Summer EP – CD-R – Self-Released – Mean Streets (also released as a

side of a split with The Ether on Electric Voice Records)

(2011) Live at

Glasslands w/ Dirty Beaches – Mean Streets (Alex also self-released this as a

CD-R)

(2012) (2011) Lantern – Dream Mine

– Cassette – Bathetic

(2012) Lantern –

Burned Youth (Unreleased Songs 2009-2011) – Cassette – Mean Streets as a tour

tape in 2011 and then re-released by Night-People in 2012 (Not really Lantern

but came out as such)

(2013) Lantern – Rock

‘N’ Roll Rorschach – 12” – (US) Sophomore Lounge (UK) Cardinal Fuzz (Cardinal

Fuzz Edition of 350 black vinyl and 150 on black vinyl + CD Version with bonus

tracks)

© Matt Marlin

Interview made by Roman Rathert/2013

© Copyright http://psychedelicbaby.blogspot.com/2013

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