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Duane Hanson | Queenie II (1988) | Artsy
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Duane Hanson – Queenie II – Exhibitions – Van de Weghe
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- Most searched keywords: Whether you are looking for Duane Hanson – Queenie II – Exhibitions – Van de Weghe Updating Van de Weghe Fine Art is pleased to present Queenie II, 1988, by Duane Hanson (1925-1996). Hanson began making hyper-realistic figurative sculptures in the 1960s. Cast from life from his family, friends and neighbors, dressed in second-hand clothing, and accessorized with found objects, Hanson’s sculptures were a radical return to figuration in the wake of recent abstraction. Among the first artists to work in this style, he is frequently associated with Pop Art as well as with with Photorealism. Hanson pushed the boundaries of contemporary art with his focus on the harsh realities of American life, exploring socio-politically charged subject matter in his work early on. Hanson’s focus after 1970 shifted to ordinary people living unremarkable lives, people that one would otherwise pass by practically without notice. “My work deals with people who lead lives of quiet desperation,” he explained.
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Queenie II, 1988 – Duane Hanson – WikiArt.org
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“Queenie II” by Duane Hanson | Human sculpture, Sculptures, Realistic art
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Photo Asset | Casting – Queenie II | Artopia | Knowitall.org
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Duane Hanson Queenie II | Art Blart
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Queenie II – Charles Saatchi
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My name is Queenie : The DONG-A ILBO
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Function Of Art In Queenie II By Duane Hanson – 411 Words | Bartleby
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Queenie II (1988)
Perhaps the most influential artist of the 20th century, Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Picasso’s sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures,ceramics, theater sets, and costume designs. He painted his most famous work, Guernica (1937), in response to the Spanish Civil War; the totemic grisaille canvas remains a definitive work of anti-war art. At auction, a number of Picasso’s paintings have sold for more than $100 million. The indefatigable artist has been the subject of exhibitions at the world’s most prestigious institutions, from the Museum of Modern Art and Centre Pompidou to the Stedelijk Museum and Tate Modern.
Duane Hanson
Van de Weghe Fine Art is pleased to present Queenie II, 1988, by Duane Hanson (1925-1996). Hanson began making hyper-realistic figurative sculptures in the 1960s. Cast from life from his family, friends and neighbors, dressed in second-hand clothing, and accessorized with found objects, Hanson’s sculptures were a radical return to figuration in the wake of recent abstraction. Among the first artists to work in this style, he is frequently associated with Pop Art as well as with with Photorealism. Hanson pushed the boundaries of contemporary art with his focus on the harsh realities of American life, exploring socio-politically charged subject matter in his work early on. Hanson’s focus after 1970 shifted to ordinary people living unremarkable lives, people that one would otherwise pass by practically without notice. “My work deals with people who lead lives of quiet desperation,” he explained.
We know her name is Queenie by her nametag. A large woman with a diminutive name, she stands in moment of weary reflection wearing an aqua janitress uniform, hand atop a rolling trashcan stocked with cleaning supplies. Her job is to clean up the mess made by the rest of us, day after day, a burden that is pronounced by the heaviness of her body. With his meticulous attention to detail, and by posing his subject in stasis, Hanson gives us the unusual privilege to stare in a way that is not permitted in our daily interactions with others; we alternate between detachment from and identification with her.
Hanson’s subjects attract us precisely because of their everyday-ness. His work highlights the discrepancy between the American dream and its reality and obliges us to regard his subjects empathically. As such, we are able to see in them a reflection of ourselves, which is more important now than ever.
Casting – Queenie II
Duane Hanson
A Closer Look
Queenie II was in an exhibit once at the Nevada Museum of Art. The night before the show opened a false fire alarm went off. When the firefighters arrived they were surprised to see the museum’s cleaning woman standing in the middle of the room, not responding to the alarm! Get an old pair of pants and a shirt and stuff them with newspaper. Stuff an old stocking with paper for the head. Add accessories to your figure and place it in a real-life setting.
About the Sculpture
Duane Hanson cast his sculptures from human models. These plaster casts became molds for fiberglass or a plastic called bondo, which is usually used for auto body repairs. Queenie II is made of bondo. Hanson used the same body for Queenie II and the female in another of his sculptures,Tourists II, but with different heads and different skin tones. After creating the bodies Hanson painted them and added hair, clothes and accessories.
About the Artist
At an early age Duane Hanson showed an interest in the human form. He grew up in a small town, where the library had only one art history book. At thirteen he saw a photograph of The Blue Boy by Thomas Gainsborough in that book, and he made a wood carving based on the painting. Hanson once asked, “What can generate more interest, fascination, beauty, ugliness, joy, shock or contempt than a human being?”
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